Organ Collections

Encore! Encore! An Organ Tribute to Fred Bock

This organ collection commemorates musical great Fred Bock. It is appropriately named not only for Fred’s accomplishments and contributions to the sacred organ world, but also because Fred’s own organ collection was named “Encore.” Featuring many of Fred’s closest friends, this unprecedented memorial includes original organ compositions in tribute to Fred by Fred Swann, Diane Bish, Mark Thallender and many others, plus stories and personal remembrances.

Hal Leonard (Fred Bock Music Co.)
61 pages

Format: 3 staves (manuals & pedal)

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The Liturgical Organist, Vol. 1 (Carlo Rossini)

This is the first and easiest book in a 4-book collection of preludes, interludes, and postludes compiled and arranged by Carlo Rossini for performance on pipe, electronic or reed organs, and with Hammond registrations included. No separate pedal notation staff is included, however many examples indicate notes for the pedals. The Liturgical Organist provides the average organist with an orderly collection of liturgical compositions for church use and for possible performance even on the smallest instrument. The compositions include works from the baroque, classical and romantic eras.
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The Liturgical Organist, Vol. 2 (Carlo Rossini)

This is the 2nd in a 4-book collection of preludes, interludes, and postludes compiled and arranged by Carlo Rossini for performance on pipe, electronic or reed organs, and with Hammond registrations included. No separate pedal notation staff is included, however many examples indicate notes for the pedals. The Liturgical Organist provides the average organist with an orderly collection of liturgical compositions for church use and for possible performance even on the smallest instrument. The compositions include works from the baroque, classical and romantic eras.
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The Liturgical Organist, Vol. 4 – Preludes, Interludes, Postludes for Pipe or Reed Organ (Carlo Rossini)

This is the final book in a 4-book collection of preludes, interludes, and postludes compiled and arranged by Carlo Rossini for performance on pipe, electronic or reed organs, and with Hammond registrations included. No separate pedal notation staff is included, however many examples indicate notes for the pedals. The Liturgical Organist provides the average organist with an orderly collection of liturgical compositions for church use and for possible performance even on the smallest instrument. The compositions include works from the baroque, classical and romantic eras.

Warner Bro. (J. Fischer & Bro.)
121 pages
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Works for Organ and Keyboard: Jan Pieterszoon Sweelinck

Jan Pieterszoon Sweelinck (1562–1621) was among the most famous organists of seventeenth-century Europe and an influential composer in the Dutch and North German tradition. He composed over 300 choral and instrumental pieces that bridged Renaissance and Baroque styles and helped prepare the way for the music of Buxtehude, Scheidt, and J. S. Bach. Today, the Dutch composer is best remembered for the inventive, sparkling music he wrote for organ and other keyboard instruments.
This remarkable treasury includes nearly all of Sweelinck’s brilliant keyboard works, most of which have survived only in widely scattered seventeenth-century manuscripts. Reproduced from a clearly printed, thoroughly edited, and reliable 1943 critical edition, this volume contains important and innovative compositions heretofore difficult to find in a reasonably priced edition. The selections are divided into four principal sections (pieces playable on either organ or other keyboard; pieces for organ; pieces for keyboard; supplementary section) and include chorale variations notable for their double and triple counterpoint; toccatas and fantasias showing the influence of the Venetian organ school; and sets of variations on secular and dance tunes. Moreover, the supplement contains three incomplete and/or modified works and a fascinating, authentic fantasia by the great English composer John Bull. The fantasia was written in memoriam shortly after Sweelinck’s death and was based on a now-lost fugue by the Netherlandish master. It remains the only testament to one of Sweelinck’s finest works.

In Sweelinck’s day, the 73 classic compositions presented here were among Europe’s most popular pieces for organ and keyboard. In our own time, these lovely instrumental works retain every bit of their original intensity and vigor. Reproduced in this authoritative complete-resource edition, they will be welcomed by serious keyboard artists, who will find them as praiseworthy today as they were when first known and played in Europe over 300 years ago.

Format: 2 staves (manuals only)

Dover Edition
260 pages
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